Alexandra ADDED
Show Production Manager, MPC
As a VFX coordinator, I see it as my goal to oversee and ensure that the often costly and time-consuming process of visual effects is both on time and on budget. Having a strong background, in terms of education and experience, as a visual effects artist, in addition to my years of experience as a VFX coordinator, I feel I am one of the more uniquely qualified individuals in the industry to drive or coordinate projects with maximum efficiency. I am self-motivated, confident and willing to work hard to achieve set goals and prove myself in a dynamic work environment. I learn quickly and adapt with ease to new people, places, projects and pipelines.
Je sais mettre à profit ma double compétence de chargée de production et de graphiste, au bénéfice d’une production ( gain de temps et d'argent ). Le fait de bien connaitre les aspects techniques me donne un avantage certain dans la gestion des projets mais aussi dans la gestion relationnelle des graphistes.
42 contacts2008 - 2009• L'AUTRE MONDE directed by Gilles Marchand
• WESTERN UNION
• PESPSI MAX directed by Mattijs
• LOGO DARKWORKS directed by Pierre Magnol
- Preparation, management and follow-up the project in general on feature film and commercials
- Follow-up of production costs
- Working with supervisors to create, maintain and update working production schedules and keep projects on track.
- Ensuring artists have the information and materials required to complete their work efficiently.
- Bidding projects after analysis of the given artistic and techinicals data provided by clients. Negociations on budget agreement.
- Maintain/ improve budget limitations to meet the company's objectives .
- Identify freelance Cg artist whose experience and expertise are most suitable to specific projects.
2007 - 2008• Babylon A.D / Directed by Mathieu Kassovitz - 20th century fox
• Ali baba / Directed by Pierre Aknine - TF1
• La chambre des morts / Directed by Alfred Lot - Produire à Paris
- Follow up of the post production needed on the feature film
- Ensuring artists have the information and materials required to complete their work efficiently. Create weekly TO DO lists for members of the production team, and ensure quotas are met.
- Establish production scheduling.
- Make timely and precise reports for future planning.
- Daily communication with the clients, follow up of each requests , their costs & time implications.
- Ensure and organize production assets. Schedule, assign and complete within the allocated time and budget, that all materials are approved and ready for shooting in accordance with the production schedule.
2005 - 2007• Space elevator directed by Pascal Roulin
• 99 f directed by Jan kounen
• Bjork Video clip directed by Michel Ocelot
• Kaiser chief - Ruby directed by Martin Sjostrom, Nico Knudsen, Stylewar
• Milka directed by Pierre Coffin
• NPES clip for prevention of health
• Premier Voyage directed by Grégoire Sivan
• Nbj directed by Frank Baradat
- Preparation, management and follow-up the project in general on feature film, commercials or video clip
- Follow-up of production costs
- Working with supervisors to create, maintain and update working production schedules and keep projects on track.
- Ensuring artists have the information and materials required to complete their work efficiently.
- Bidding projects after analysis of the given artistic and techinicals data provided by clients. Negociations on budget agreement.
- Maintain/ improve budget limitations to meet the company's objectives .
- Identify freelance Cg artist whose experience and expertise are most suitable to specific projects.
2005 - 2005Infographiste sur Pat & Stan saison III de Pierre Coffin
2004 - 2006AZUR ET ASMAR directed by Michel Ocelot
- Preparation, management and follow up of the post production needed on the feature film
- Ensuring artists have the information and materials required to complete their work efficiently. Create weekly TO DO lists for members of the production team, and ensure quotas are met.
- Creation of admistrative tools for budget follow up, comparison of previsionnal and real costs, thus allowing financial anticipation
- Establish production scheduling and recording system that will ensure accurate history of production figures .
- Make timely and precise reports for future planning.
- Daily communication with the clients, follow up of each requests , their costs & time implications.